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UPCOMING FROM ARTESIA COMMUNITY THEATRE
by Jaston Williams, Joe Sears, and Ed Howard
Directed by Sandy Schuetz
Tuna is the third smallest town in Texas; a place where books like Huckleberry Finn and Romeo and Juliet are too smutty for the library shelves and the Lion's Club is too liberal. What do Arles Struvie, Thurston Wheelis, Aunt Pearl, Petey Fisk, Phinas Blye and Rev. Spikes have in common? They are among the upstanding citizens of Tuna, Texas . In this hilarious send up of small town mores, Jim Schuetz and Eugene Irby create the entire population of Tuna in a tour de farce of quick change artistry, both of costumes and of comic characterizations. There are twenty wild characters in this show."
Performance dates are Sept. 10, 15, 16, and 17, 2011 at 7:30 pm. Sunday matinees are 2 pm on Sept. 11 and 18. Tickets are $10 and may be purchased from cast and crew members or by calling the Ocotillo Box Office at 746-4212.
Directed by Sandy Schuetz
This beloved American holiday classic comes to captivating life as a live 1940s radio broadcast. With the help of an ensemble that brings a few dozen characters to the stage, the story of idealistic George Bailey unfolds as he considers ending his life one fateful Christmas Eve. Only 3 performances! Dec. 16, and 17 at 7:30 pm; and a Sunday matinee at 2:00 pm on Dec. 18 at the Ocotillo Performing Arts Center.
By Tom Smith (of Las Cruces) Directed by Glenna Brady
(Photo of Las Cruces
Community Theatre production) Accusations, mistaken identities, and romances run wild in this traditional, laugh-out-loud farce. Two nuns at the Sisters of Perpetual Sewing have been secretly making wine to keep the convent's doors open, but Paul and Sally, reporters and former fiancées, are hot on their trail. They go undercover as a nun and priest, but their presence, combined with the addition of a new nun, spurs paranoia throughout the convent that spies have been sent from Rome to shut them down. Wine and secrets are inevitably spilled as everyone tries to preserve the convent and reconnect with lost loves. Four performances only at the Cottonwood Winery - Feb. 23, 24, 25 at 7:30 pm and Sunday, Feb. 26 at 2:00 pm.
In June, of course, we will present Brown Bag Theatre in Heritage Walkway to round out our season. As always, these productions will be short, sweet and free to the public on the first three Wednesdays in June, and don’t forget the evening encore presentation for those unable to make the noon performances.
Download our current Membership Brochure
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The Artesia Community Theatre (ACT), a self-supporting division of the Artesia Arts Council, Inc., is endeavoring to bring various types of theatre experience to the community. Your continued support, encouragement and attendance will enable you and other members of the community to look forward to quality theatre productions.
Any and all donations to the Artesia Community Theatre, whether they be monetary, costumes, props, etc., are gratefully accepted and appreciated.
Artesia Community Theatre PO Box 1233 Artesia, NM 88211-1233
And we’re on Facebook!
Membership fees are in effect August 1st through July 31st, renewable on a yearly basis. All members are allowed—and encouraged—to attend and vote during all ACT meetings. All ACT Patron sponsorships are also renewable yearly. Our patrons, in addition to holding ACT membership, will be listed by category in all ACT programs.
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The aim of art is to represent not the outward appearance of things, but their inward significance. - Aristotle
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A Theatre Dictionary
IN is down, DOWN is front OUT is up, UP is back OFF is out, ON is in, RIGHT is left, LEFT is right. A DROP shouldn’t and a BLOCK AND FALL does neither. A PROP doesn’t, And a COVE has no water. TRIPPING is okay. A RUNNING CREW rarely gets anywhere, A PURCHASE LINE will buy you nothing. A TRAP will not catch anything. STRIKE is work (in fact, lots of work). And a GREEN ROOM, thankfully, usually isn’t. Now that you’re fully versed in theatrical terms, BREAK A LEG - but not really!
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Blocking:
The art of moving actors on the stage in such a manner as not to collide with the walls, the furniture, the orchestra pit or each other. Similar to playing chess, except that the pawns want to argue with you.
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